1
Crossing
If the job needs water, we book the boat before the camera.
The plot is shared between stills and motion from the first recce. Colour sits in pre-production, not after picture lock. Finishing is not a stranger at the end of the job, and the archive is named so another team can open it a year later.
If the job needs water, we book the boat before the camera.
Glass and ceramic get a still day of their own.
Södermalm is shot at the hour the lamps come on.
When the water goes grey, the day is over.
Stills for the shop, a short cut for the crossing.