Interviews get a boom and a lav, not a camera mic ‘for safety’. Safety is a second recorder, not a worse microphone.
Wild tracks and room tone are shot even when the day is stills-heavy. A future cutdown will need them.
Music is licensed for the territories in the contract. A temp track that cannot be bought is not a creative direction; it is a trap.
Mix happens with picture, on speakers that resemble the client’s world , a laptop and a television, not only a suite.
We deliver stems when versions will be recut. A printed mix alone is how a six-month-later social cut sounds like a different film.
Forestteasary keeps a lane of rooms on Hornsgatan. Clients make glass, ceramics, bakeries and the boats that run between the islands. November afternoons end early. We shoot the object at noon, the street while the lamps are just on, and we do not stretch either into the other.