We name files for the media plan: campaign, motif, aspect, language. The editor’s private timeline names stay in the suite.
Colour-managed stills and video sit in parallel folders with a short readme: LUT, white, and what was approved.
Raws stay in our working storage unless bought. What the client receives is what they licensed.
A year later, brands ask for a new crop. If the archive is clean, that is a morning. If it is a pile, it is a new job.
We keep the working project for the revision window in the estimate. After that, restore is a quoted retrieval, not a favour.
Forestteasary keeps a lane of rooms on Hornsgatan. Clients make glass, ceramics, bakeries and the boats that run between the islands. November afternoons end early. We shoot the object at noon, the street while the lamps are just on, and we do not stretch either into the other.